{"id":36459,"date":"2024-04-26T23:00:28","date_gmt":"2024-04-26T23:00:28","guid":{"rendered":"http:\/\/localhost\/branding\/othello-the-moor-of-venice\/"},"modified":"2024-04-26T23:00:28","modified_gmt":"2024-04-26T23:00:28","slug":"othello-the-moor-of-venice","status":"publish","type":"post","link":"https:\/\/sheilathewriter.com\/blog\/othello-the-moor-of-venice\/","title":{"rendered":"OTHELLO, THE MOOR OF VENICE"},"content":{"rendered":"<p>OTHELLO, THE MOOR OF VENICE<\/p>\n<p>by William Shakespeare<\/p>\n<p>Contents<\/p>\n<p>ACT I<\/p>\n<p>Scene I. Venice. A street.<\/p>\n<p>Scene II. Venice. Another street.<\/p>\n<p>Scene III. Venice. A council chamber.<\/p>\n<p>ACT II<\/p>\n<p>Scene I. A seaport in Cyprus. A Platform.<\/p>\n<p>Scene II. A street.<\/p>\n<p>Scene III. A Hall in the Castle.<\/p>\n<p>ACT III<\/p>\n<p>Scene I. Cyprus. Before the Castle.<\/p>\n<p>Scene II. Cyprus. A Room in the Castle.<\/p>\n<p>Scene III. Cyprus. The Garden of the Castle.<\/p>\n<p>Scene IV. Cyprus. Before the Castle.<\/p>\n<p>ACT IV<\/p>\n<p>Scene I. Cyprus. Before the Castle.<\/p>\n<p>Scene II. Cyprus. A Room in the Castle.<\/p>\n<p>Scene III. Cyprus. Another Room in the Castle.<\/p>\n<p>ACT V<\/p>\n<p>Scene I. Cyprus. A Street.<\/p>\n<p>Scene II. Cyprus. A Bedchamber in the castle.<\/p>\n<p>Dramatis Person\u00e6<\/p>\n<p>DUKE OF VENICE<\/p>\n<p>BRABANTIO, a Senator of Venice and Desdemona\u2019s father<\/p>\n<p>Other Senators<\/p>\n<p>GRATIANO, Brother to Brabantio<\/p>\n<p>LODOVICO, Kinsman to Brabantio<\/p>\n<p>OTHELLO, a noble Moor in the service of Venice<\/p>\n<p>CASSIO, his Lieutenant<\/p>\n<p>IAGO, his Ancient<\/p>\n<p>MONTANO, Othello\u2019s predecessor in the government of Cyprus<\/p>\n<p>RODERIGO, a Venetian Gentleman<\/p>\n<p>CLOWN, Servant to Othello<\/p>\n<p>DESDEMONA, Daughter to Brabantio and Wife to Othello<\/p>\n<p>EMILIA, Wife to Iago<\/p>\n<p>BIANCA, Mistress to Cassio<\/p>\n<p>Officers, Gentlemen, Messenger, Musicians, Herald, Sailor, Attendants,<\/p>\n<p>&amp;c.<\/p>\n<p>SCENE: The First Act in Venice; during the rest of the Play at a<\/p>\n<p>Seaport in Cyprus.<\/p>\n<p>ACT I<\/p>\n<p>SCENE I. Venice. A street.<\/p>\n<p> Enter Roderigo and Iago.<\/p>\n<p>RODERIGO.<\/p>\n<p>Tush, never tell me, I take it much unkindly<\/p>\n<p>That thou, Iago, who hast had my purse,<\/p>\n<p>As if the strings were thine, shouldst know of this.<\/p>\n<p>IAGO.<\/p>\n<p>\u2019Sblood, but you will not hear me.<\/p>\n<p>If ever I did dream of such a matter,<\/p>\n<p>Abhor me.<\/p>\n<p>RODERIGO.<\/p>\n<p>Thou told\u2019st me, thou didst hold him in thy hate.<\/p>\n<p>IAGO.<\/p>\n<p>Despise me if I do not. Three great ones of the city,<\/p>\n<p>In personal suit to make me his lieutenant,<\/p>\n<p>Off-capp\u2019d to him; and by the faith of man,<\/p>\n<p>I know my price, I am worth no worse a place.<\/p>\n<p>But he, as loving his own pride and purposes,<\/p>\n<p>Evades them, with a bombast circumstance,<\/p>\n<p>Horribly stuff\u2019d with epithets of war:<\/p>\n<p>And in conclusion,<\/p>\n<p>Nonsuits my mediators: for \u201cCertes,\u201d says he,<\/p>\n<p>\u201cI have already chose my officer.\u201d<\/p>\n<p>And what was he?<\/p>\n<p>Forsooth, a great arithmetician,<\/p>\n<p>One Michael Cassio, a Florentine,<\/p>\n<p>A fellow almost damn\u2019d in a fair wife,<\/p>\n<p>That never set a squadron in the field,<\/p>\n<p>Nor the division of a battle knows<\/p>\n<p>More than a spinster, unless the bookish theoric,<\/p>\n<p>Wherein the toged consuls can propose<\/p>\n<p>As masterly as he: mere prattle without practice<\/p>\n<p>Is all his soldiership. But he, sir, had the election,<\/p>\n<p>And I, of whom his eyes had seen the proof<\/p>\n<p>At Rhodes, at Cyprus, and on other grounds,<\/p>\n<p>Christian and heathen, must be belee\u2019d and calm\u2019d<\/p>\n<p>By debitor and creditor, this counter-caster,<\/p>\n<p>He, in good time, must his lieutenant be,<\/p>\n<p>And I, God bless the mark, his Moorship\u2019s ancient.<\/p>\n<p>RODERIGO.<\/p>\n<p>By heaven, I rather would have been his hangman.<\/p>\n<p>IAGO.<\/p>\n<p>Why, there\u2019s no remedy. \u2019Tis the curse of service,<\/p>\n<p>Preferment goes by letter and affection,<\/p>\n<p>And not by old gradation, where each second<\/p>\n<p>Stood heir to the first. Now sir, be judge yourself<\/p>\n<p>Whether I in any just term am affin\u2019d<\/p>\n<p>To love the Moor.<\/p>\n<p>RODERIGO.<\/p>\n<p>I would not follow him, then.<\/p>\n<p>IAGO.<\/p>\n<p>O, sir, content you.<\/p>\n<p>I follow him to serve my turn upon him:<\/p>\n<p>We cannot all be masters, nor all masters<\/p>\n<p>Cannot be truly follow\u2019d. You shall mark<\/p>\n<p>Many a duteous and knee-crooking knave<\/p>\n<p>That, doting on his own obsequious bondage,<\/p>\n<p>Wears out his time, much like his master\u2019s ass,<\/p>\n<p>For nought but provender, and when he\u2019s old, cashier\u2019d.<\/p>\n<p>Whip me such honest knaves. Others there are<\/p>\n<p>Who, trimm\u2019d in forms, and visages of duty,<\/p>\n<p>Keep yet their hearts attending on themselves,<\/p>\n<p>And throwing but shows of service on their lords,<\/p>\n<p>Do well thrive by them, and when they have lin\u2019d their coats,<\/p>\n<p>Do themselves homage. These fellows have some soul,<\/p>\n<p>And such a one do I profess myself. For, sir,<\/p>\n<p>It is as sure as you are Roderigo,<\/p>\n<p>Were I the Moor, I would not be Iago:<\/p>\n<p>In following him, I follow but myself.<\/p>\n<p>Heaven is my judge, not I for love and duty,<\/p>\n<p>But seeming so for my peculiar end.<\/p>\n<p>For when my outward action doth demonstrate<\/p>\n<p>The native act and figure of my heart<\/p>\n<p>In complement extern, \u2019tis not long after<\/p>\n<p>But I will wear my heart upon my sleeve<\/p>\n<p>For daws to peck at: I am not what I am.<\/p>\n<p>RODERIGO.<\/p>\n<p>What a full fortune does the thick-lips owe,<\/p>\n<p>If he can carry\u2019t thus!<\/p>\n<p>IAGO.<\/p>\n<p>Call up her father,<\/p>\n<p>Rouse him, make after him, poison his delight,<\/p>\n<p>Proclaim him in the streets; incense her kinsmen,<\/p>\n<p>And though he in a fertile climate dwell,<\/p>\n<p>Plague him with flies: though that his joy be joy,<\/p>\n<p>Yet throw such changes of vexation on\u2019t,<\/p>\n<p>As it may lose some color.<\/p>\n<p>RODERIGO.<\/p>\n<p>Here is her father\u2019s house, I\u2019ll call aloud.<\/p>\n<p>IAGO.<\/p>\n<p>Do, with like timorous accent and dire yell<\/p>\n<p>As when, by night and negligence, the fire<\/p>\n<p>Is spied in populous cities.<\/p>\n<p>RODERIGO.<\/p>\n<p>What ho, Brabantio! Signior Brabantio, ho!<\/p>\n<p>IAGO.<\/p>\n<p>Awake! what ho, Brabantio! Thieves, thieves!<\/p>\n<p>Look to your house, your daughter, and your bags!<\/p>\n<p>Thieves, thieves!<\/p>\n<p> Brabantio appears above at a window.<\/p>\n<p>BRABANTIO.<\/p>\n<p>What is the reason of this terrible summons?<\/p>\n<p>What is the matter there?<\/p>\n<p>RODERIGO.<\/p>\n<p>Signior, is all your family within?<\/p>\n<p>IAGO.<\/p>\n<p>Are your doors locked?<\/p>\n<p>BRABANTIO.<\/p>\n<p>Why, wherefore ask you this?<\/p>\n<p>IAGO.<\/p>\n<p>Zounds, sir, you\u2019re robb\u2019d, for shame put on your gown,<\/p>\n<p>Your heart is burst, you have lost half your soul;<\/p>\n<p>Even now, now, very now, an old black ram<\/p>\n<p>Is tupping your white ewe. Arise, arise,<\/p>\n<p>Awake the snorting citizens with the bell,<\/p>\n<p>Or else the devil will make a grandsire of you:<\/p>\n<p>Arise, I say.<\/p>\n<p>BRABANTIO.<\/p>\n<p>What, have you lost your wits?<\/p>\n<p>RODERIGO.<\/p>\n<p>Most reverend signior, do you know my voice?<\/p>\n<p>BRABANTIO.<\/p>\n<p>Not I. What are you?<\/p>\n<p>RODERIGO.<\/p>\n<p>My name is Roderigo.<\/p>\n<p>BRABANTIO.<\/p>\n<p>The worser welcome.<\/p>\n<p>I have charg\u2019d thee not to haunt about my doors;<\/p>\n<p>In honest plainness thou hast heard me say<\/p>\n<p>My daughter is not for thee; and now in madness,<\/p>\n<p>Being full of supper and distempering draughts,<\/p>\n<p>Upon malicious bravery, dost thou come<\/p>\n<p>To start my quiet.<\/p>\n<p>RODERIGO.<\/p>\n<p>Sir, sir, sir,\u2014<\/p>\n<p>BRABANTIO.<\/p>\n<p>But thou must needs be sure<\/p>\n<p>My spirit and my place have in them power<\/p>\n<p>To make this bitter to thee.<\/p>\n<p>RODERIGO.<\/p>\n<p>Patience, good sir.<\/p>\n<p>BRABANTIO.<\/p>\n<p>What tell\u2019st thou me of robbing?<\/p>\n<p>This is Venice. My house is not a grange.<\/p>\n<p>RODERIGO.<\/p>\n<p>Most grave Brabantio,<\/p>\n<p>In simple and pure soul I come to you.<\/p>\n<p>IAGO.<\/p>\n<p>Zounds, sir, you are one of those that will not serve God if the devil<\/p>\n<p>bid you. Because we come to do you service, and you think we are<\/p>\n<p>ruffians, you\u2019ll have your daughter cover\u2019d with a Barbary horse;<\/p>\n<p>you\u2019ll have your nephews neigh to you; you\u2019ll have coursers for cousins<\/p>\n<p>and gennets for germans.<\/p>\n<p>BRABANTIO.<\/p>\n<p>What profane wretch art thou?<\/p>\n<p>IAGO.<\/p>\n<p>I am one, sir, that comes to tell you your daughter and the Moor are<\/p>\n<p>now making the beast with two backs.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Thou art a villain.<\/p>\n<p>IAGO.<\/p>\n<p>You are a senator.<\/p>\n<p>BRABANTIO.<\/p>\n<p>This thou shalt answer. I know thee, Roderigo.<\/p>\n<p>RODERIGO.<\/p>\n<p>Sir, I will answer anything. But I beseech you,<\/p>\n<p>If \u2019t be your pleasure, and most wise consent,<\/p>\n<p>(As partly I find it is) that your fair daughter,<\/p>\n<p>At this odd-even and dull watch o\u2019 the night,<\/p>\n<p>Transported with no worse nor better guard,<\/p>\n<p>But with a knave of common hire, a gondolier,<\/p>\n<p>To the gross clasps of a lascivious Moor:<\/p>\n<p>If this be known to you, and your allowance,<\/p>\n<p>We then have done you bold and saucy wrongs.<\/p>\n<p>But if you know not this, my manners tell me,<\/p>\n<p>We have your wrong rebuke. Do not believe<\/p>\n<p>That from the sense of all civility,<\/p>\n<p>I thus would play and trifle with your reverence.<\/p>\n<p>Your daughter (if you have not given her leave)<\/p>\n<p>I say again, hath made a gross revolt,<\/p>\n<p>Tying her duty, beauty, wit, and fortunes<\/p>\n<p>In an extravagant and wheeling stranger<\/p>\n<p>Of here and everywhere. Straight satisfy yourself:<\/p>\n<p>If she be in her chamber or your house,<\/p>\n<p>Let loose on me the justice of the state<\/p>\n<p>For thus deluding you.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Strike on the tinder, ho!<\/p>\n<p>Give me a taper! Call up all my people!<\/p>\n<p>This accident is not unlike my dream,<\/p>\n<p>Belief of it oppresses me already.<\/p>\n<p>Light, I say, light!<\/p>\n<p> [_Exit from above._]<\/p>\n<p>IAGO.<\/p>\n<p>Farewell; for I must leave you:<\/p>\n<p>It seems not meet nor wholesome to my place<\/p>\n<p>To be produc\u2019d, as if I stay I shall,<\/p>\n<p>Against the Moor. For I do know the state,<\/p>\n<p>However this may gall him with some check,<\/p>\n<p>Cannot with safety cast him, for he\u2019s embark\u2019d<\/p>\n<p>With such loud reason to the Cyprus wars,<\/p>\n<p>Which even now stand in act, that, for their souls,<\/p>\n<p>Another of his fathom they have none<\/p>\n<p>To lead their business. In which regard,<\/p>\n<p>Though I do hate him as I do hell pains,<\/p>\n<p>Yet, for necessity of present life,<\/p>\n<p>I must show out a flag and sign of love,<\/p>\n<p>Which is indeed but sign. That you shall surely find him,<\/p>\n<p>Lead to the Sagittary the raised search,<\/p>\n<p>And there will I be with him. So, farewell.<\/p>\n<p> [_Exit._]<\/p>\n<p> Enter Brabantio with Servants and torches.<\/p>\n<p>BRABANTIO.<\/p>\n<p>It is too true an evil. Gone she is,<\/p>\n<p>And what\u2019s to come of my despised time,<\/p>\n<p>Is naught but bitterness. Now Roderigo,<\/p>\n<p>Where didst thou see her? (O unhappy girl!)<\/p>\n<p>With the Moor, say\u2019st thou? (Who would be a father!)<\/p>\n<p>How didst thou know \u2019twas she? (O, she deceives me<\/p>\n<p>Past thought.) What said she to you? Get more tapers,<\/p>\n<p>Raise all my kindred. Are they married, think you?<\/p>\n<p>RODERIGO.<\/p>\n<p>Truly I think they are.<\/p>\n<p>BRABANTIO.<\/p>\n<p>O heaven! How got she out? O treason of the blood!<\/p>\n<p>Fathers, from hence trust not your daughters\u2019 minds<\/p>\n<p>By what you see them act. Is there not charms<\/p>\n<p>By which the property of youth and maidhood<\/p>\n<p>May be abused? Have you not read, Roderigo,<\/p>\n<p>Of some such thing?<\/p>\n<p>RODERIGO.<\/p>\n<p>Yes, sir, I have indeed.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Call up my brother. O, would you had had her!<\/p>\n<p>Some one way, some another. Do you know<\/p>\n<p>Where we may apprehend her and the Moor?<\/p>\n<p>RODERIGO.<\/p>\n<p>I think I can discover him, if you please<\/p>\n<p>To get good guard, and go along with me.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Pray you lead on. At every house I\u2019ll call,<\/p>\n<p>I may command at most. Get weapons, ho!<\/p>\n<p>And raise some special officers of night.<\/p>\n<p>On, good Roderigo. I will deserve your pains.<\/p>\n<p> [_Exeunt._]<\/p>\n<p>SCENE II. Venice. Another street.<\/p>\n<p> Enter Othello, Iago and Attendants with torches.<\/p>\n<p>IAGO.<\/p>\n<p>Though in the trade of war I have slain men,<\/p>\n<p>Yet do I hold it very stuff o\u2019 the conscience<\/p>\n<p>To do no contriv\u2019d murder; I lack iniquity<\/p>\n<p>Sometimes to do me service: nine or ten times<\/p>\n<p>I had thought to have yerk\u2019d him here under the ribs.<\/p>\n<p>OTHELLO.<\/p>\n<p>\u2019Tis better as it is.<\/p>\n<p>IAGO.<\/p>\n<p>Nay, but he prated,<\/p>\n<p>And spoke such scurvy and provoking terms<\/p>\n<p>Against your honour,<\/p>\n<p>That with the little godliness I have,<\/p>\n<p>I did full hard forbear him. But I pray you, sir,<\/p>\n<p>Are you fast married? Be assur\u2019d of this,<\/p>\n<p>That the magnifico is much belov\u2019d<\/p>\n<p>And hath in his effect a voice potential<\/p>\n<p>As double as the duke\u2019s; he will divorce you,<\/p>\n<p>Or put upon you what restraint and grievance<\/p>\n<p>The law (with all his might to enforce it on)<\/p>\n<p>Will give him cable.<\/p>\n<p>OTHELLO.<\/p>\n<p>Let him do his spite;<\/p>\n<p>My services, which I have done the signiory,<\/p>\n<p>Shall out-tongue his complaints. \u2019Tis yet to know,\u2014<\/p>\n<p>Which, when I know that boasting is an honour,<\/p>\n<p>I shall promulgate,\u2014I fetch my life and being<\/p>\n<p>From men of royal siege. And my demerits<\/p>\n<p>May speak unbonneted to as proud a fortune<\/p>\n<p>As this that I have reach\u2019d. For know, Iago,<\/p>\n<p>But that I love the gentle Desdemona,<\/p>\n<p>I would not my unhoused free condition<\/p>\n<p>Put into circumscription and confine<\/p>\n<p>For the sea\u2019s worth. But look, what lights come yond?<\/p>\n<p>IAGO.<\/p>\n<p>Those are the raised father and his friends:<\/p>\n<p>You were best go in.<\/p>\n<p>OTHELLO.<\/p>\n<p>Not I; I must be found.<\/p>\n<p>My parts, my title, and my perfect soul<\/p>\n<p>Shall manifest me rightly. Is it they?<\/p>\n<p>IAGO.<\/p>\n<p>By Janus, I think no.<\/p>\n<p> Enter Cassio and Officers with torches.<\/p>\n<p>OTHELLO.<\/p>\n<p>The servants of the duke and my lieutenant.<\/p>\n<p>The goodness of the night upon you, friends!<\/p>\n<p>What is the news?<\/p>\n<p>CASSIO.<\/p>\n<p>The duke does greet you, general,<\/p>\n<p>And he requires your haste-post-haste appearance<\/p>\n<p>Even on the instant.<\/p>\n<p>OTHELLO.<\/p>\n<p>What is the matter, think you?<\/p>\n<p>CASSIO.<\/p>\n<p>Something from Cyprus, as I may divine.<\/p>\n<p>It is a business of some heat. The galleys<\/p>\n<p>Have sent a dozen sequent messengers<\/p>\n<p>This very night at one another\u2019s heels;<\/p>\n<p>And many of the consuls, rais\u2019d and met,<\/p>\n<p>Are at the duke\u2019s already. You have been hotly call\u2019d for,<\/p>\n<p>When, being not at your lodging to be found,<\/p>\n<p>The senate hath sent about three several quests<\/p>\n<p>To search you out.<\/p>\n<p>OTHELLO.<\/p>\n<p>\u2019Tis well I am found by you.<\/p>\n<p>I will but spend a word here in the house,<\/p>\n<p>And go with you.<\/p>\n<p> [_Exit._]<\/p>\n<p>CASSIO.<\/p>\n<p>Ancient, what makes he here?<\/p>\n<p>IAGO.<\/p>\n<p>Faith, he tonight hath boarded a land carrack:<\/p>\n<p>If it prove lawful prize, he\u2019s made forever.<\/p>\n<p>CASSIO.<\/p>\n<p>I do not understand.<\/p>\n<p>IAGO.<\/p>\n<p>He\u2019s married.<\/p>\n<p>CASSIO.<\/p>\n<p>To who?<\/p>\n<p> Enter Othello.<\/p>\n<p>IAGO.<\/p>\n<p>Marry to\u2014Come, captain, will you go?<\/p>\n<p>OTHELLO.<\/p>\n<p>Have with you.<\/p>\n<p>CASSIO.<\/p>\n<p>Here comes another troop to seek for you.<\/p>\n<p> Enter Brabantio, Roderigo and Officers with torches and weapons.<\/p>\n<p>IAGO.<\/p>\n<p>It is Brabantio. General, be advis\u2019d,<\/p>\n<p>He comes to bad intent.<\/p>\n<p>OTHELLO.<\/p>\n<p>Holla, stand there!<\/p>\n<p>RODERIGO.<\/p>\n<p>Signior, it is the Moor.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Down with him, thief!<\/p>\n<p> [_They draw on both sides._]<\/p>\n<p>IAGO.<\/p>\n<p>You, Roderigo! Come, sir, I am for you.<\/p>\n<p>OTHELLO.<\/p>\n<p>Keep up your bright swords, for the dew will rust them.<\/p>\n<p>Good signior, you shall more command with years<\/p>\n<p>Than with your weapons.<\/p>\n<p>BRABANTIO.<\/p>\n<p>O thou foul thief, where hast thou stow\u2019d my daughter?<\/p>\n<p>Damn\u2019d as thou art, thou hast enchanted her,<\/p>\n<p>For I\u2019ll refer me to all things of sense,<\/p>\n<p>(If she in chains of magic were not bound)<\/p>\n<p>Whether a maid so tender, fair, and happy,<\/p>\n<p>So opposite to marriage, that she shunn\u2019d<\/p>\n<p>The wealthy curled darlings of our nation,<\/p>\n<p>Would ever have, to incur a general mock,<\/p>\n<p>Run from her guardage to the sooty bosom<\/p>\n<p>Of such a thing as thou\u2014to fear, not to delight.<\/p>\n<p>Judge me the world, if \u2019tis not gross in sense,<\/p>\n<p>That thou hast practis\u2019d on her with foul charms,<\/p>\n<p>Abus\u2019d her delicate youth with drugs or minerals<\/p>\n<p>That weakens motion. I\u2019ll have\u2019t disputed on;<\/p>\n<p>\u2019Tis probable, and palpable to thinking.<\/p>\n<p>I therefore apprehend and do attach thee<\/p>\n<p>For an abuser of the world, a practiser<\/p>\n<p>Of arts inhibited and out of warrant.\u2014<\/p>\n<p>Lay hold upon him, if he do resist,<\/p>\n<p>Subdue him at his peril.<\/p>\n<p>OTHELLO.<\/p>\n<p>Hold your hands,<\/p>\n<p>Both you of my inclining and the rest:<\/p>\n<p>Were it my cue to fight, I should have known it<\/p>\n<p>Without a prompter. Where will you that I go<\/p>\n<p>To answer this your charge?<\/p>\n<p>BRABANTIO.<\/p>\n<p>To prison, till fit time<\/p>\n<p>Of law and course of direct session<\/p>\n<p>Call thee to answer.<\/p>\n<p>OTHELLO.<\/p>\n<p>What if I do obey?<\/p>\n<p>How may the duke be therewith satisfied,<\/p>\n<p>Whose messengers are here about my side,<\/p>\n<p>Upon some present business of the state,<\/p>\n<p>To bring me to him?<\/p>\n<p>OFFICER.<\/p>\n<p>\u2019Tis true, most worthy signior,<\/p>\n<p>The duke\u2019s in council, and your noble self,<\/p>\n<p>I am sure is sent for.<\/p>\n<p>BRABANTIO.<\/p>\n<p>How? The duke in council?<\/p>\n<p>In this time of the night? Bring him away;<\/p>\n<p>Mine\u2019s not an idle cause. The duke himself,<\/p>\n<p>Or any of my brothers of the state,<\/p>\n<p>Cannot but feel this wrong as \u2019twere their own.<\/p>\n<p>For if such actions may have passage free,<\/p>\n<p>Bond-slaves and pagans shall our statesmen be.<\/p>\n<p> [_Exeunt._]<\/p>\n<p>SCENE III. Venice. A council chamber.<\/p>\n<p> The Duke and Senators sitting at a table; Officers attending.<\/p>\n<p>DUKE.<\/p>\n<p>There is no composition in these news<\/p>\n<p>That gives them credit.<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>Indeed, they are disproportion\u2019d;<\/p>\n<p>My letters say a hundred and seven galleys.<\/p>\n<p>DUKE.<\/p>\n<p>And mine a hundred and forty.<\/p>\n<p>SECOND SENATOR<\/p>\n<p>And mine two hundred:<\/p>\n<p>But though they jump not on a just account,<\/p>\n<p>(As in these cases, where the aim reports,<\/p>\n<p>\u2019Tis oft with difference,) yet do they all confirm<\/p>\n<p>A Turkish fleet, and bearing up to Cyprus.<\/p>\n<p>DUKE.<\/p>\n<p>Nay, it is possible enough to judgement:<\/p>\n<p>I do not so secure me in the error,<\/p>\n<p>But the main article I do approve<\/p>\n<p>In fearful sense.<\/p>\n<p>SAILOR.<\/p>\n<p>[_Within._] What, ho! what, ho! what, ho!<\/p>\n<p>OFFICER.<\/p>\n<p>A messenger from the galleys.<\/p>\n<p> Enter Sailor.<\/p>\n<p>DUKE.<\/p>\n<p>Now,\u2014what\u2019s the business?<\/p>\n<p>SAILOR.<\/p>\n<p>The Turkish preparation makes for Rhodes,<\/p>\n<p>So was I bid report here to the state<\/p>\n<p>By Signior Angelo.<\/p>\n<p>DUKE.<\/p>\n<p>How say you by this change?<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>This cannot be<\/p>\n<p>By no assay of reason. \u2019Tis a pageant<\/p>\n<p>To keep us in false gaze. When we consider<\/p>\n<p>The importancy of Cyprus to the Turk;<\/p>\n<p>And let ourselves again but understand<\/p>\n<p>That, as it more concerns the Turk than Rhodes,<\/p>\n<p>So may he with more facile question bear it,<\/p>\n<p>For that it stands not in such warlike brace,<\/p>\n<p>But altogether lacks the abilities<\/p>\n<p>That Rhodes is dress\u2019d in. If we make thought of this,<\/p>\n<p>We must not think the Turk is so unskilful<\/p>\n<p>To leave that latest which concerns him first,<\/p>\n<p>Neglecting an attempt of ease and gain,<\/p>\n<p>To wake and wage a danger profitless.<\/p>\n<p>DUKE.<\/p>\n<p>Nay, in all confidence, he\u2019s not for Rhodes.<\/p>\n<p>OFFICER.<\/p>\n<p>Here is more news.<\/p>\n<p> Enter a Messenger.<\/p>\n<p>MESSENGER.<\/p>\n<p>The Ottomites, reverend and gracious,<\/p>\n<p>Steering with due course toward the isle of Rhodes,<\/p>\n<p>Have there injointed them with an after fleet.<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>Ay, so I thought. How many, as you guess?<\/p>\n<p>MESSENGER.<\/p>\n<p>Of thirty sail, and now they do re-stem<\/p>\n<p>Their backward course, bearing with frank appearance<\/p>\n<p>Their purposes toward Cyprus. Signior Montano,<\/p>\n<p>Your trusty and most valiant servitor,<\/p>\n<p>With his free duty recommends you thus,<\/p>\n<p>And prays you to believe him.<\/p>\n<p>DUKE.<\/p>\n<p>\u2019Tis certain, then, for Cyprus.<\/p>\n<p>Marcus Luccicos, is not he in town?<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>He\u2019s now in Florence.<\/p>\n<p>DUKE.<\/p>\n<p>Write from us to him; post-post-haste dispatch.<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>Here comes Brabantio and the valiant Moor.<\/p>\n<p> Enter Brabantio, Othello, Iago, Roderigo and Officers.<\/p>\n<p>DUKE.<\/p>\n<p>Valiant Othello, we must straight employ you<\/p>\n<p>Against the general enemy Ottoman.<\/p>\n<p>[_To Brabantio._] I did not see you; welcome, gentle signior,<\/p>\n<p>We lack\u2019d your counsel and your help tonight.<\/p>\n<p>BRABANTIO.<\/p>\n<p>So did I yours. Good your grace, pardon me.<\/p>\n<p>Neither my place, nor aught I heard of business<\/p>\n<p>Hath rais\u2019d me from my bed, nor doth the general care<\/p>\n<p>Take hold on me; for my particular grief<\/p>\n<p>Is of so flood-gate and o\u2019erbearing nature<\/p>\n<p>That it engluts and swallows other sorrows,<\/p>\n<p>And it is still itself.<\/p>\n<p>DUKE.<\/p>\n<p>Why, what\u2019s the matter?<\/p>\n<p>BRABANTIO.<\/p>\n<p>My daughter! O, my daughter!<\/p>\n<p>DUKE and SENATORS.<\/p>\n<p>Dead?<\/p>\n<p>BRABANTIO.<\/p>\n<p>Ay, to me.<\/p>\n<p>She is abused, stol\u2019n from me, and corrupted<\/p>\n<p>By spells and medicines bought of mountebanks;<\/p>\n<p>For nature so preposterously to err,<\/p>\n<p>Being not deficient, blind, or lame of sense,<\/p>\n<p>Sans witchcraft could not.<\/p>\n<p>DUKE.<\/p>\n<p>Whoe\u2019er he be, that in this foul proceeding,<\/p>\n<p>Hath thus beguil\u2019d your daughter of herself,<\/p>\n<p>And you of her, the bloody book of law<\/p>\n<p>You shall yourself read in the bitter letter,<\/p>\n<p>After your own sense, yea, though our proper son<\/p>\n<p>Stood in your action.<\/p>\n<p>BRABANTIO.<\/p>\n<p>Humbly I thank your grace.<\/p>\n<p>Here is the man, this Moor, whom now it seems<\/p>\n<p>Your special mandate for the state affairs<\/p>\n<p>Hath hither brought.<\/p>\n<p>ALL.<\/p>\n<p>We are very sorry for \u2019t.<\/p>\n<p>DUKE.<\/p>\n<p>[_To Othello._] What, in your own part, can you say to this?<\/p>\n<p>BRABANTIO.<\/p>\n<p>Nothing, but this is so.<\/p>\n<p>OTHELLO.<\/p>\n<p>Most potent, grave, and reverend signiors,<\/p>\n<p>My very noble and approv\u2019d good masters:<\/p>\n<p>That I have ta\u2019en away this old man\u2019s daughter,<\/p>\n<p>It is most true; true, I have married her.<\/p>\n<p>The very head and front of my offending<\/p>\n<p>Hath this extent, no more. Rude am I in my speech,<\/p>\n<p>And little bless\u2019d with the soft phrase of peace;<\/p>\n<p>For since these arms of mine had seven years\u2019 pith,<\/p>\n<p>Till now some nine moons wasted, they have us\u2019d<\/p>\n<p>Their dearest action in the tented field,<\/p>\n<p>And little of this great world can I speak,<\/p>\n<p>More than pertains to feats of broil and battle,<\/p>\n<p>And therefore little shall I grace my cause<\/p>\n<p>In speaking for myself. Yet, by your gracious patience,<\/p>\n<p>I will a round unvarnish\u2019d tale deliver<\/p>\n<p>Of my whole course of love: what drugs, what charms,<\/p>\n<p>What conjuration, and what mighty magic,<\/p>\n<p>(For such proceeding I am charged withal)<\/p>\n<p>I won his daughter.<\/p>\n<p>BRABANTIO.<\/p>\n<p>A maiden never bold:<\/p>\n<p>Of spirit so still and quiet that her motion<\/p>\n<p>Blush\u2019d at herself; and she, in spite of nature,<\/p>\n<p>Of years, of country, credit, everything,<\/p>\n<p>To fall in love with what she fear\u2019d to look on!<\/p>\n<p>It is judgement maim\u2019d and most imperfect<\/p>\n<p>That will confess perfection so could err<\/p>\n<p>Against all rules of nature, and must be driven<\/p>\n<p>To find out practices of cunning hell,<\/p>\n<p>Why this should be. I therefore vouch again,<\/p>\n<p>That with some mixtures powerful o\u2019er the blood,<\/p>\n<p>Or with some dram conjur\u2019d to this effect,<\/p>\n<p>He wrought upon her.<\/p>\n<p>DUKE.<\/p>\n<p>To vouch this is no proof;<\/p>\n<p>Without more wider and more overt test<\/p>\n<p>Than these thin habits and poor likelihoods<\/p>\n<p>Of modern seeming do prefer against him.<\/p>\n<p>FIRST SENATOR.<\/p>\n<p>But, Othello, speak:<\/p>\n<p>Did you by indirect and forced courses<\/p>\n<p>Subdue and poison this young maid\u2019s affections?<\/p>\n<p>Or came it by request, and such fair question<\/p>\n<p>As soul to soul affordeth?<\/p>\n<p>OTHELLO.<\/p>\n<p>I do beseech you,<\/p>\n<p>Send for the lady to the Sagittary,<\/p>\n<p>And let her speak of me before her father.<\/p>\n<p>If you do find me foul in her report,<\/p>\n<p>The trust, the office I do hold of you,<\/p>\n<p>Not only take away, but let your sentence<\/p>\n<p>Even fall upon my life.<\/p>\n<p>DUKE.<\/p>\n<p>Fetch Desdemona hither.<\/p>\n<p>OTHELLO.<\/p>\n<p>Ancient, conduct them, you best know the place.<\/p>\n<p> [_Exeunt Iago and Attendants._]<\/p>\n<p>And till she come, as truly as to heaven<\/p>\n<p>I do confess the vices of my blood,<\/p>\n<p>So justly to your grave ears I\u2019ll present<\/p>\n<p>How I did thrive in this fair lady\u2019s love,<\/p>\n<p>And she in mine.<\/p>\n<p>DUKE.<\/p>\n<p>Say it, Othello.<\/p>\n<p>OTHELLO.<\/p>\n<p>Her father lov\u2019d me, oft invited me,<\/p>\n<p>Still question\u2019d me the story of my life,<\/p>\n<p>From year to year\u2014the battles, sieges, fortunes,<\/p>\n<p>That I have pass\u2019d.<\/p>\n<p>I ran it through, even from my boyish days<\/p>\n<p>To the very moment that he bade me tell it,<\/p>\n<p>Wherein I spake of most disastrous chances,<\/p>\n<p>Of moving accidents by flood and field;<\/p>\n<p>Of hair-breadth scapes i\u2019 th\u2019 imminent deadly breach;<\/p>\n<p>Of being taken by the insolent foe,<\/p>\n<p>And sold to slavery, of my redemption thence,<\/p>\n<p>And portance in my traveler\u2019s history,<\/p>\n<p>Wherein of antres vast and deserts idle,<\/p>\n<p>Rough quarries, rocks, and hills whose heads touch heaven,<\/p>\n<p>It was my hint to speak,\u2014such was the process;<\/p>\n<p>And of the Cannibals that each other eat,<\/p>\n<p>The Anthropophagi, and men whose heads<\/p>\n<p>Do grow beneath their shoulders. This to hear<\/p>\n<p>Would Desdemona seriously incline.<\/p>\n<p>But still the house affairs would draw her thence,<\/p>\n<p>Which ever as she could with haste dispatch,<\/p>\n<p>She\u2019d come again, and with a greedy ear<\/p>\n<p>Devour up my discourse; which I observing,<\/p>\n<p>Took once a pliant hour, and found good means<\/p>\n<p>To draw from her a prayer of earnest heart<\/p>\n<p>That I would all my pilgrimage dilate,<\/p>\n<p>Whereof by parcels she had something heard,<\/p>\n<p>But not intentively. I did consent,<\/p>\n<p>And often did beguile her of her tears,<\/p>\n<p>When I did speak of some distressful stroke<\/p>\n<p>That my youth suffer\u2019d. My story being done,<\/p>\n<p>She gave me for my pains a world of sighs.<\/p>\n<p>She swore, in faith, \u2019twas strange, \u2019twas passing strange;<\/p>\n<p>\u2019Twas pitiful, \u2019twas wondrous pitiful.<\/p>\n<p>She wish\u2019d she had not heard it, yet she wish\u2019d<\/p>\n<p>That heaven had made her such a man: she thank\u2019d me,<\/p>\n<p>And bade me, if I had a friend that lov\u2019d her,<\/p>\n<p>I should but teach him how to tell my story,<\/p>\n<p>And that would woo her. Upon this hint I spake:<\/p>\n<p>She lov\u2019d me for the dangers I had pass\u2019d,<\/p>\n<p>And I lov\u2019d her that she did pity them.<\/p>\n<p>This only is the witchcraft I have us\u2019d.<\/p>\n<p>Here comes the lady. Let her witness it.<\/p>\n<p> Enter  Desdemona, Iago and Attendants.<\/p>\n<p>DUKE.<\/p>\n<p>I think this tale would win my daughter too.<\/p>\n<p>Good Brabantio,<\/p>\n<p>Take up this mangled matter at the best.<\/p>\n<p>Men do their broken weapons rather use<\/p>\n<p>Than their bare hands.<\/p>\n<p>BRABANTIO.<\/p>\n<p>I pray you hear her speak.<\/p>\n<p>If she confess that she was half the wooer,<\/p>\n<p>Destruction on my head, if my bad blame<\/p>\n<p>Light on the man!\u2014Come hither, gentle mistress:<\/p>\n<p>Do you perceive in all this noble company<\/p>\n<p>Where most you owe obedience?<\/p>\n<p>DESDEMONA.<\/p>\n<p>My noble father,<\/p>\n<p>I do perceive here a divided duty:<\/p>\n<p>To you I am bound for life and education.<\/p>\n<p>My life and education both do learn me<\/p>\n<p>How to respect you. You are the lord of duty,<\/p>\n<p>I am hitherto your daughter: but here\u2019s my husband.<\/p>\n<p>And so much duty as my mother show\u2019d<\/p>\n<p>To you, preferring you before her father,<\/p>\n<p>So much I challenge that I may profess<\/p>\n<p>Due to the Moor my lord.<\/p>\n<p>BRABANTIO.<\/p>\n<p>God be with you! I<\/p>\n","protected":false},"excerpt":{"rendered":"<p>OTHELLO, THE MOOR OF VENICE by William Shakespeare Contents ACT I Scene I. Venice. A street. Scene II. Venice. Another<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-36459","post","type-post","status-publish","format-standard","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>OTHELLO, THE MOOR OF VENICE - sheilathewriter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sheilathewriter.com\/blog\/othello-the-moor-of-venice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OTHELLO, THE MOOR OF VENICE - sheilathewriter\" \/>\n<meta property=\"og:description\" content=\"OTHELLO, THE MOOR OF VENICE by William Shakespeare Contents ACT I Scene I. 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